Megumi Maski, Sigi Torinus, and I presented Always, Sideways for piano, video, and live electronics at the University of Toronto’s New Music Festival on February…
Finally! The long-awaited first Homstal album was released on February 2 by Centrediscs with distribution by Naxos. The album is now available for streaming or…
When the pandemic struck, I was in the middle of mixing the four-channel version of Immaterial Los Angeles, Chris McNamara’s 3D video. We had just…
I’ve managed to get a bit of time in the studio here and there over the last couple of months and have enjoyed creating soundtracks…
Enough of the COVID restrictions at the university have been lifted that we are now able to use the studio again, albeit with rigorous safety…
Just completed the soundtrack for the first fixed version of Kim Nelson’s documentary Pitas and Passports. The film is about human migration and the fusion of…
I contributed some music and sound design to four theatre pieces produced by the University of Windsor’s University Players and the Outside the March theatre…
I recently completed a score for Min Bae’s short film Qausuittuq. All of the footage for the film was shot in the Canadian Arctic. I…
The latest publication of the journal Acoustic Space focuses on the Oslofjord Ecologies conference and festival in which Sig Torinus, Andrea Sunder-Plassman and I participated…
The Noiseborder Ensemble presents a program of new and used multimedia pieces, including my Agency and Structure (Megumi Masaki, piano), Immaterial Los Angeles (video by…